Reminiscences of an Unknown Artist
There is an old proverb in India... "an artist can change society.."
And like the most old sayings, its not applicable in this twisted world of today!! 'For an artist, poet, et al to do so, they must come up from cream of the society...' V.S. Naipaul said somewhere. Since most of the bright and talented are driven these days to opt for other lucrative careers, less and less talented are into writing, paintings... etc. And thus we see a drastic fall in the standard of thinkers, poets, writers, artists, musicians, intellectuals... most are of poor intellectual level and without real talent. This trend is more defined in the last 20 odd years. Back in school, I remember when we had to chose in Senior Secondary School (Class/Standard 11 & 12) after completion of Secondary School (Class 10) I was the only one among boys to take up Arts (Humanities) rest in my group were all forced to... as their grades/marks were too low!! All the "bright ones" en mass joined the other two branches: Science and Commerce... All the top graders/toppers went to Science, the next best took up Commerce.. and the rest, the rejects, the dumbs, the stupids.. had no choice but to take up Humanities or leave studies!! In Art college, which one could joined only after the completion of 2 year of Senior Secondary(+2) many boys came came via a stint or struggle of few years in Science/Engineering/Commerce colleges etc. The only exception were the girls, they all came straight from school as Indian parents consider 'painting' as the ideal hobby-course for their daughters!! It raises the bar for them, in 'arrange-marriage-market'!! In the case of boys it was a disaster to be in an Art college!! A common joke in our art college days:
One mother to another:
"What does your son do?"
"He is painting... artist."
"OK, but what does he do?"
Painting, sculpture, pottery etc were meant only for girls, it enhances their charm in the arrange marriage!! I am sure things haven't changed much since.
An artist can change society etc. only when he has come up the right way.. Through his talent and hard work... An artist who is weak, corrupt, one who is here only for the lure of money can hardly do anything worthwhile.. As a child my father would constantly say: "Only the best should be in Fine Arts, there is no place for the the second best in art... You are either an artist or not at all.. You can not be a 'bad artist'... its a misnomer!!"
But now, like most old sayings, proverbs it's not so.
The art world is a crowded place... all and sundry can be artist!! The right connection, the right look, ability to speak English and you can be one!! Your ability to draw or paint is of no consequence!!
The art world is a crowded place... all and sundry can be artist!! The right connection, the right look, ability to speak English and you can be one!! Your ability to draw or paint is of no consequence!!
I continue to paint... the only gift I was born with... River Warta, Poznań, Poland Dec. 2009 |
Artist community driven only by the lure of money has created a strange kind of breed. Let me illustrated the point with some real life anecdotes.
One of my aritsts' friend's father also an artist, in his younger days had gone to Kathmandu, Nepal for a show with his fellow artists... The show was a dismal failure in terms of turn outs and sale, as was the case with most art shows during 60s, 70s. At the end of the show they sat looking at the 'streatched canvases' and wondering how they would take it all back etc. Having exhausted all their money in putting up the show in a far away land.. Some hanger-ons and passerby suggested "Why don't you leave it here?"
The group of young artists decided to burn their works outside the venue on the street in a huge bonfire and came home empty hand...
That was the case then... And now... read on...
That was the case then... And now... read on...
Now let me give you today's scenario: one of my buyers from Bombay, who I feel is a bit of a connoisseur tells me this:
"Roy, tell me what's wrong with you guys? You know I love to browse through art shows/galleries etc after my office. Many a times after office, love to go to Jehangir art gallery, but if it happens to be the last day of a show and closing time... then I had it!! Artists exhibiting would follow me out and beg on bended knees:
"Please sir, please pick up any work.. price no issue.. its our last day etc.!!"
"Please sir, we don't have money to take them back!!" "
My face turned red and burned with shame as I heard this about my fellow artists, I wanted to disappear..
Here is one moreanecdote..
There is an old-old distant aunt living in Italy... once a contemporary of M.F. Husain, F.N. Souza, S.H. Raza, Biren De etc. fairly successful artist of 50s, 60s.. Then she like many migrated to Europe, and she is very honest about it... "Animesh all these artists who are now big in India, all drove away to the West for money. India in the 50s, 60s, 70s was a tough place for artists with a very bleak future.. One could only at best get a school teacher's job... So don't you believe all these romantic bullshit about being driven by desire to see Cezanne and to study European art, it is all a cover-up... All were looking for a way to be able to sell, survive from the sale of their work.. and what better place than the West in those times?" Many got married there and settled down... And many more managed various scholarships year after year to prolong their stay... And once there, their artistic stature too raised back home... 'Indian Artist in Paris/London/Rome' had a charming effects on Indian collectors...
There is an old-old distant aunt living in Italy... once a contemporary of M.F. Husain, F.N. Souza, S.H. Raza, Biren De etc. fairly successful artist of 50s, 60s.. Then she like many migrated to Europe, and she is very honest about it... "Animesh all these artists who are now big in India, all drove away to the West for money. India in the 50s, 60s, 70s was a tough place for artists with a very bleak future.. One could only at best get a school teacher's job... So don't you believe all these romantic bullshit about being driven by desire to see Cezanne and to study European art, it is all a cover-up... All were looking for a way to be able to sell, survive from the sale of their work.. and what better place than the West in those times?" Many got married there and settled down... And many more managed various scholarships year after year to prolong their stay... And once there, their artistic stature too raised back home... 'Indian Artist in Paris/London/Rome' had a charming effects on Indian collectors...
Now this aunt few years back was planning an exhibition in Delhi and asked me to take her around some galleries to catch up the trends and to see gallery-space etc. So we go into a public gallery with a show going on, she looks at the works hanging on the wall, the 'Artists' is present, rushes with his price list. My aunt asks the young man some questions about his works, prices and gives her good wishes and we leave. As we do so, the artists has followed us out and confronts us with:
"Madam how much you want to pay?"
Once my old aunt, in the 60s was exhibiting in Bombay and a very well know starlet had dropped in.. I don't remember the details, but she threw out the film star on a minor issue:
"Miss, please get out!! This is no film-set of yours..its an art gallery!!" etc.
That was then and this is now... I see innumerable snapshots of todays' Artists getting their shows "inaugurated" by nondescript actors, TV anchors, politicians, models... I just cringe in shame!! These artists have plummeted to an abominable depth... Lining up with two-bit starlets and politicians to sell their wares...
Do we really need them to enhance our work?!
According to an aspiring Artist, I meet some time back, we do. I was planning a show in the capital after a 10 year hiatus!! Someone suggested I speak to this young artist, well versed and up-to-date with present day scenario!
Called him up and he replies like a pro:
"Look dude, this is long term."
"Yes I agree, " my reply.
"See I am doing it very methodically..."
"Sure that's the way to do it.. long रिअज़, लगन, practise, साधना.. as our Gurus, our उस्तादs would say..." I added my bit.
There was long silence at the other end and then the young upstart says:
"Look I have been going through 'Page 3' of all English Dailies and making cuttings.. and now, I know fairly well 'who's who of art' and what to do.. I advise you start your research too."
He sounded dead serious !!
As I reached my venue to put up my works on the D-day... the artist who's show had just finished, was winding up.. He was in high spirits. He had managed to sell most of his works, wares.. No, he wasn't from any recognisable Art Schools!! He had put up his show with his equally enterprising wife, a broad spectrum of works, paintings - acrylic on canvas depicting Ganesha (Diwali was right around the corner), and portraits of a grotesque looking man he proudly claimed to be of Buddha!!
"Buddha is very popular now.. more than Ganesha!!" he proffered.
There were sculptures, pottery and a huge eagle in plaster of Paris!! His show looked more like an Indian Government School Art Room!!
"So who is inaugurating your show?" he asked, as he started to pack the huge plaster eagle...
"No one in particular.. actually no opening ceremony... just some of my friends are coming etc.." I mumbled at him.
"No-no-no-no.. you have to call some celebrity, then you see you get mentioned on Page 3 etc. etc.," was his shocked response.
He looked at me as if I was suicidal!!
My show was a quiet affair and most disappointed were the gatekeepers of the gallery:
"किया साहब, आप भी... "
"किसी Mandira Bedi को बुलाते, दीखते कितने काम आपके बिक जाते!!"
(What sahib, why didn't you call some starlet? All your paintings would have sold!!")
He obviously did not mention his chance at ogling at some skimpily clad starlet!!
He was right, I didn't attract much crowd during the show and sold even less!! During the show one of my old gallery owners from a now well-known gallery came to cheer me up... While with me at the gallery he was busy talking most of the time on his mobile.
"Yes, yes, lots of Page 3 people are coming (and he parroted off a list of 'VIPs of Page 3' from Delhi)...."
Needless to say he was in the processing of organising an Art exhibition, à la India style!!
You can view my works here..
http://royanimesh.blogspot.com/
http://www.animeshroy.com/
2 comments:
That is what all art people - painters, artists, writers, poets - have to face...its seems we are aliens in the society and everyone gawks at you when you say you are an artist...Page 3 seems to have become the culture of India...at least that is what all Page 3 people would like to think...they think they are the destiny makers of Indian culture and art...living in big cities, cut off from the inner regions of India that still thrive with traditional art forms...for most people today India is what is shown on page 3...and the media loves to lick their boots...people with little understanding visit art galleries...it is good for the art galleries but for them it is just another hyped pass-time...would be much better if they had interactions with the artist to know what he or she has tried to express through the work on display...
And Thumbs up for your aunt! I like her! I would have liked to see the face of the starlet!:))
Arvind Narayan
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