Logbook of an Unknown Artist | Paintings Of Animesh Roy

Logbook of an Unknown Artist | Paintings Of Animesh Roy

Art of Animesh Roy Please keep in touch with my Facebook page: www.facebook.com/animeshroyartist Still Life with plate o...

Saturday, May 5, 2012

Nirmal Baba & Mohinder Amarnath

I don't understand this public anger and lampooning of a new baba on the scene these days:

Nirmal Baba!!

As if he is the first of its kind!!

I am remained of the 'मछली Baba' in 'Joy Baba Felunath*' from my childhood days!! He of course didn't recommend mouth-watering yummy samosas or gulabjamuns... only uneatable 'মন্ত্র-পুত-শর্ক' i.e মাছের আঁশ (fish scales)!!

Maybe the uproar is caused because of his faith in samosa/ rasugollla's curative and remedial values and not in 'चरनाम्रिता'** or in tying black thread or relying on a red handkerchief.

Now everyone in India has joined in to jeer poor Nirmal Baba!! And all are busy putting one-another down with their 'scientific-rational-clear-headedness'!! It is of course a stance taken to cover 'their shame and self consciousness' about their faith or let say their 'blind faith' as is now popularly termed!! On Facebook I have noticed if there is any discussion on any of India's innumerable Gurus/Pundits/Babas... the comments would always start with a very cliched clarification viz. "I am not a supporter of Baba Ramdev... I am not a follower of Murai Bapu, I don't believe in Sai Baba, Asaram Bapu xzy". Most Indians want to pretend that they are not what the West think they are... a country full of superstitions, beliefs and a billion gods etc. We are very defensive about this and thus are busy condemning our own faiths and beliefs and our Gurus and Babas. They don’t realise they maybe condemning one Baba... but there are a million Babas and a billion habits and beliefs we follow, every day of our lives in India for a long-long time now!! And there is nothing wrong with that... if we are not preaching hate and are not a closed society. During the long Imperialism, the West constantly derided us about our faith and beliefs, thus inculcated a shame in us about our faith and beliefs. We hide our sacred thread with shame or our amulets around our arms or our red threads on the wrist... or a mala/talismans around our necks.. But you travel around the world and you will see people wear a cross around their neck (or any symbol of faith) with pride!! They are not apologetic. The entire world civilization is based on this... I don’t think if one has a few superstitions.. it doesn’t hurt anyone and in fact it gives us power and a positive frame of mind which no logical, rational ideas can give. All around the world superstitions and blind faiths etc. is practised and will continue to. No one is a fraud and nothing is superstitious or wrong or criminal etc... all is a matter of Faith!! All organised religions of the world are a set of faiths... There is also a notion our faiths like these, will keep us backward etc. But see the Japanese, the Jews in Israel or the West... they too have faiths, superstitions and rituals without logic and doing very well. Faith never hurts anyone... nor does it stops us from progressing. There is another logic very prevalent in India that superstitions and blind faith makes us weak and cowards!! They don’t.. on the contrary, it gives courage to face any adversity.. There is the example of Mohinder Amarnath, one of most gutsy cricket players the Cricket playing nations have ever seen. In the 70s and 80s non could face the fast bowling of the legendary West Indian pace bowlers... Amarnath was one of the few who could take it like a man... He used a red handkerchief to peek out of his pocket!!

Rituals, small gestures are part of human nature. I remember during the 'IFA Shield' football matches in Calcutta in the 70s. The Bengali/Indian footballers who would smartly lineup before entering the football field and then each of them would bend and touch the ground with their hand and back to their forehead or heart: प्रणाम!!
My father, an atheist would deride these acts of rituals etc. He was of course very proud of the visiting Soviet players (those days most clubs came from the Eastern Bloc) who would just haphazardly enter the arena!!!

I just witnessed the Euro Cup 2012 in Poland... all European footballers reverently did this ritual of pranaam!!


A sadhu I met who recounted his journeys across India. Bare feet, chimta and a kamandal. Nabadwip, Krishnagar, India Jan 2011.
For some of us, Gurus, Baba, Temple etc. are like our Saviour (god-like) and for a non-believer a charlatan... at the end of the day all that matters is who and what gives your mind some peace, some consolation... it can be a गोलगप्पा (golgappa) or रसगुल्ला (rasugollla)* recommended by Nirmal Baba or tying a red thread around your wrist or on Darga grilled walls.. (the Sarkozyes were in India and they did the same... now they have a child!! I wonder how many will find that funny and deride that!!) Any form of ritual one believes in... if these give your mind some peace and brings back your confidence and you are able to get-up from your broken-down mental/physical state of being... why not? So I feel one must not make fun of any gurus... for some they are of great importance and help... Exactly like Allopathic doctors (psychiatrist) of modern age... they listen to your problem..and give you verbal consolation.. maybe some drugs/tablets/antidepressants.. if you have faith it may work... many a times it does not...as we can see from the result of so many in the West.. rich and successful yet not happy.. unable to even get a good night's sleep... Michael Jackson died.. in the process!! Most are unable to get rid off their many problems (psychological etc.) though they have the best of the medical science behind them!! We in India have long, strong tradition of following our gurus.. in all our past we had many Gurus... and after centuries these Gurus turn into Gods for us... and many in their own time were crucified and killed or humiliated....

Most Gurus direct their followers to be free from sinful activities and encourage them to engage in devotional services. I have no problems with any such gurus, babas and sadhus... unless they are teaching hate... which they don't. I heard/viewed (as I was curios about Niraml Baba, a few episodes..) in all he was seen giving away very simple solutions and some were very nice suggestions like distribute samosa/ rasugollla to the poor etc!! There was no hate or preaching of discrimination etc. His followers are convinced his advice works.. so why are others so eager to prove it doesn't work? At least he is not asking his ardent followers to slaughter/sacrifice/क़ुरबानी (kurbani) of large animals like cows or camels!!!

Science is yet to comprehend our hearts and minds... till that time humans will continue to have this form of faith.. condemning or ridiculing is a foolish approach as all of us have such faiths.. it is only a matter of degree...
If one is expected to become very rational and scientific about every little beliefs, faiths, superstitions etc. it will not happen..it as old as human civilisation...



"A mind all logic is like a knife all blade. It makes the hand bleed that uses it. "

— Rabindranath Tagore

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PS:
I recently came to know from some of the reactions from this easy... that while it is ok about faith etc. but what is unpardonable is "gurus should not take money etc in exchange of their 'advice', guidance, sermons, services etc"!!?
Concept of 'Gurudakshisna' is as old as human civilization. This is just naivety or blinkered vision/notion or just hypocrisy that these supermen/women are above the ordinary so they should not ask or take money!! Every form of organised/disorganised religion take money or in kind from its followers, every guru/god-man, darga, temple, church, gurdwara take money/donation from its followers... every healer, voodoo man, fakir, guru, sadhu, agony aunt/uncle et al receive money in exchange of their expertise, advise!!!
Most are very critical if they see gurus, sadhus, Babas amass wealth!! In the 80s all and sundry were critical of Osho, Sai Baba because of their money... and were prosecuted.. later Shankarachaya was humiliated and now Baba Ramdev and so on..
Looks like we want our gurus to be poor... even Buddha amassed a lot by begging/donation etc. and build his temples etc all over... this is how it works... Don't be naive..and say "we don't want them to get rich!!"
It doesn't happened that way, every guru amasses wealth.. from the rich and are suppose to use for the betterment of the society/poor etc.
Money has nothing do with this... no ashram/faith/religion exits without money!!
I have visited churches on Sunday... midway during the hour-long 'Puja' and sermon one of the fathers/brothers would go around the seated followers with a basket, wherein you may drop your offerings... same happens in all places of worship. Padres from the Church visit your homes before Christmas and Easter..and are paid for the few kind words and for their darshan etc.
The question is how this transaction is done!! In a civilized or ruthless manner... in a mater of fact or in hypocritical, round about way...
Here are some anecdote from my life...
Once when I took an aunt of mine from US to the Darga at Ajmer... she was going through a very bad phase... we were almost hijacked from the Ajmer railway stations by the "darga' agents and while my aunt wanted to pray and talk to some holy men, hear some soothing words at the Darga, relate her misfortune... But non were interested everyone of the holy men at the Darga would trust into her open hands some kind of old notebook... wherein you fill in your details and donate money... this continued in every noon and corner of the darga... everyone just flinched her off her dollars!! I also notice the plight of 'tourists'... especially from villages who had just came inside to have 'look-in'... the ever-energetic darga volunteers were rudely, aggressively, abusively order them to put in money in drop boxes... and when the naive villagers replied they have just come to 'see'.... they were almost pushed out saying "this not a place to 'see'... either you donate or just get out" etc!!
Is this a religious/spiritual experience? which so many crave to have?! I don't understand why we still go to such places.. 
Next after this disturbing experience we decided to go to the Pushkar lake.. for a 'peaceful' interaction with the almighty... The moment we came out of our taxi, the 'pandas' came in like bees!! Here I intervened and politely told them we didn't need their assistance etc. The 'god's salesmen' became pushy and said we cant do puja without them etc. I replied "We have direct connection with god"!! And need no middlemen!!" They left us abusing... we sat in front of the enchanted lake with a very bad taste in our mouths!! My poor aunt was still optimistic somewhere someone will heal her wounds.. Next we headed for Brahma Temple... one of the only two temples in whole of India!!
I approached Brahma Temple with trepidation... at the beginning of the long flight of steps we noticed a drop box (for donation) and flowers and prasad hawkers pleading us to buy offering for the God... But this was much smoother and less aggressively done than the 'chaadar-rose-petal-sellers, shoe-keeping hawkers at the darga, who were ready to kill.. if you went with (your shoes in your bag) or without the 'chadar-rose-petals!!
We bought some flowers, badasha and a coconut... and entered the temple... my aunt prayed without being pushed around for donation... we offered the flowers, coconut and badasha to the pundit...who showed no concern for any donation or asked us for any money.. he took our offerings and offered it to the deity, muttered some Sanskrit shlokas and brought back the offering to us... we walked out with our flowers, badashas and coconut intact!! This was 'our' prasad!!

Not all holy places are so aggressive in their collection methods.... many just use the hidden persuasions methods!!!




**The Christians every Sunday would go and line up in church and take communion or 'eat bread' (the belief is it's not bread and wine, it's Christ's flesh and blood) and we go to temples and drink "चरनामित्र"... if we sit down and analyse this: one is just bread..made from wheat/आटा..one is H2O with some sugar etc. but faith make us believe it will do us good.. why not make fun of that?!!

Pride & Paranoia: 'It is all God's gift.. nothing is mine..'

Pride & Paranoia

Intelectual Property, Copyright Laws, Privacy & Personal Space and all such... @#!$%!!



On the social media... I saw this very agitated discussion among some Western artists about some simple hearted Asian tourists taking pictures of Artists en plein air....
(artists/paintings being photographed by onlookers while working en plein air etc.)

I was amused and hurt...

Is this about our 'king size ego', that some of us carry on our heads? This gigantic weight of our art-aptitude-talent on our slender shoulders?
Or is it about privacy, space etc.?

In both cases I have divergent views.

The idea of Chinese/Indonesian or Taiwanese "tourist" travelling thousands of miles to Europe or America then tracing down "artists" painting outdoors and shooting their works... mind you these aren’t even finished!! Taking these back to Asia and making prints and earning huge profits!! Wow!!

Non of us are such great artists that we have to guard our works from anyone!! And anyway the Chinese* have great artists in their country with a rich tradition of painting!! All the great arts of the world are free for all of us to see, download.. get high quality prints or we get them in posters or coffee-table books etc.

You have to take it all...with a smile en plein air !!

If we do get admires etc. when we work outdoors (I would count myself lucky and blessed) we should be gracious and let them take pictures of our works etc... non of us are so great and grand that we need to worry... the ones who do; should paint in padlocked basements.. and never show their works to anyone free except those who buy tickets and are searched thoroughly for any electronic devices.. just in case their precious, priceless work of art lands in “those Chinese hands”!!

I have seen many such “great” artists on the Internet and on Facebook.. who would put a big 'copyright © water-mark' on their works!! Thus making their already ugly, amateurish works more unbearable!! My suggestion to them.. this is a visual medium.. and if you don’t want us to see.. use padlocks, high security set-ups and tickets as suggested earlier!!

Don’t think so highly of your work.. be humble...as we in the Orient always say.. “it is all God's gift.. nothing is mine..” that’s why many of us don’t even sign our works unlike in the West!!
If Mona Lisa, Sunflowers (Van Gogh), Lilies (Monet) and the great Oriental Artists' works are all available freely (for viewing, downloading etc.); we should not be so petty!! Remember we all have the right to view art free...we pay only when we buy.. or have to visits a museum.. some Museum are also free and some have certain days kept free for viewing etc. Many museums allow cameras too...
If someone does 'copy' our works.. it is a great compliment!! All Masters' are copied and one great artist copy another great artists' work.. or bases their work on other artist's work.. it has been done by artists since ages.. I do it all the time.


*****


The Unknown Artist

When I got out of art college (early 1990) I use to sign my paintings in front, lower corner as just 'Roy'... paintings of that time 1986-92 would have this... then an Art College Professor pointed out "If you want to make a name etc. sign your full name, there are so many Roys around etc!!" I then started using my full signature ie 'Animesh Roy'... Post 1992-3 works would have my full name in front.


But I grew disillusioned by this urgent need to be recognised by our signature alone... and as I became aware and studied more of our traditions in Indian (and the oriental) art and culture I realised that in our traditional arts our artists do not sign at all... they remain humble, anonymous and would attribute all their skills and talent to Nature or God and their art as an act of devotion etc!! I have been inspired by this concept since then... and have stopped signing my name in front but I do sign (full name) all my paintings at the back/on the reverse side (for the record etc.)

My signature with other details on the reversed side of one of my works.
There are some contemporary artists who do not sign in front..over their painting. But I haven't met one yet. I am not against it but I see so many paintings spoilt by an ugly signature!! There are some who have used it very aesthetically like Claude Monet.. and some like van Gogh's are terrible!! Thankfully many of his works don't have his signatures!! Mine have been more of a protest.. while all rushed in with their 'style and signature' to earn name and fame... I wanted only my work to speak up.. and would boast: "In museums they put small plaques along side.. next to every work with all details..and there the art enthusiasts can see!!

I do get very surprised collectors.. who wonder why they don't see any signatures on my work?! Some walk away, some are very uncomfortable to invest.. on an artist without a name!!



Waterscape-VII
Oil on Canvas
198x188 cm
78x74 inches
Oct. 2009



"An artist needn't be a clergyman or a churchwarden, 
but he certainly must have a warm heart for his fellow men."
― Vincent Van Gogh

"I feel that there is nothing more truly artistic than to love people."
― Vincent Van Gogh

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* Some 'Painters/Artists' were getting paranoid with Chinese tourists photographing their works etc. with the assumption that these tourists have actually have been sent to shoot pictures of plein-air artists' works and go back and make prints on a commercial scale etc.!! and thus make millions off their genius!!


Grand dad of Henri Cartier-Bresson!!


Here's one more anecdote...
Another incident came to my notice on one of these social networking sites, Facebook. Tragic-comic!!
Due to simplification in this digital age everyone now has a camera... They are cheap and no more cost of films, developing and printing charges!!
Also the cameras are now much simpler to use. Any dummy can shoot. So we have these multitudes of photographers and photographs on these social networking sites!! They upload... get many 'likes' and slowly many turn into this ego centric artiste!! Grand dad of Henri Cartier-Bresson!!

One such 'Bresson'.. though I know he has never heard of Henri Cartier-Bresson... who happens to live in one of India's most 'photogenic' places... turned to taking pictures!!
Armed with a professional expensive digital camera he started shooting his city.
Anyone staying in such a place could almost effortlessly capture beautiful scenes, he of course couldn't!! But still his pictures would appears out-of-this-world to foreigner, outsiders...to people who live in a different world. It is indeed a quaint place. So this 'artiste' started to get many 'likes' and slowly he was now a 'wel-known photographer'!! Looking at his work anyone could see he had no idea of colour, composition or any sense or sensibility! It may sound cruel but then in art one cant be accommodating!!
Anyway after some years of 'fame' on Facebook, he recently, grandly announced his retirement!! He told his 'fans' is going to stop uploading his daily pictures!!
The step is most distressing to him but he has no choice as his works are getting out of hand..!! He has no patient or time to put copyright/ water marks over his 'work'! etc'
I don't know the exact reasons... maybe he doesn't want anyone sharing his pictures (?) or thinks people are downloading and printing them in 'coffee-table' books or making prints/posters and earning millions from his art!!

Picture of a Goat or something


Here's one more...
On Facebook some year back I witness this...
There was this pack of mongrels (young-educated-Indians) some 50 or more... viciously attacking a retired Indian air force officer... a Wing Commander!! His crime? "Content theft*"!! For a website he runs for his travel website!! Some picture of a goat or something!! There were abuse and insult, ridicule and trash talk for him... from boys young enough to be his grandsons... A generation growing up on an education (Borrowed and Copied)) which teaches them their 'intelectual property', 'copyright laws', privacy and 'personal space' and all such nonsense but no real wisdom!!A young generation aping ideas and ethos (Western?) without a humane touch...There is no respect for our Defence personnel.. What-so-ever!!Can a nation like this ever be great?!!*He may have inadvertently put or "shared" without giving credits..I know how a 'retired air force fighter pilot' lives... Hand to mouth!!

Wednesday, May 2, 2012

Art, Artist & Activism...

In the room the women come and go,
Talking of Michaelangelo. 
― T.S. Eliot


The sight of 'Artists', grossly overweight, in designer clothes, attending art shows, sipping cocktails... talking in gibberish English, everyday of the year! 

Sometimes I do miss that sight?!!

Who are these people crowding the art scene? They don’t smell of turpentine or linseed oil... their hands are clean and perfumed... Not the kind which has prepared clay or has ever picked up the chisel and hammer to sculpt...

Once upon a time an artist had a face, one could recognise― a face and a body evolved and tempered by his work. Now these bunch of sissies look they have come straight from the hairdresser to attend an Indian wedding!!

So who are these jokers?

These are actually members of a club!! A club meant only for the phonies, fakes and the pretentious... going around in disguise of artists, curators, art gallery owners, art critics, art connoisseurs, celebrities, pretentious buyers and collectors... they corner most part of the pie.. from government aids in form of scholarships, to getting lucrative art projects and large commission based works viz. murals, designing pavilions in trade shows, state sponsored art projects, art books etc. to shows around the world and getting gallery bookings (in public galleries) without waiting in the queue etc. They are visible on page 3 of daily newspapers or on TV, and they are regularly invited to attain art shows...

This leaves the rest, the ones who had talent, went to art college with real interest in art and have been working in their respective fields sincerely, to struggle on...

Art and artists have their share of problems... from non-artist pretending to be artist, hogging the lime light and the real talent getting sidelined; gallery owners duping young upcoming artists and art-critics writing praises for a bottle of whisky.. we have faced it all.. and continue to..

These self-appointed artists are so well-connected and entrenched in the society that they can easily get gallery bookings, get the media to advertise and most importantly influence the potential buyers into buying works from their curated shows.. and in return pocket a cut from the sale!! Some of these curators seeing the immense sale from art shows these days in India have now started to paint!! It is not difficult.. splash 'the-quick-drying-acrylic-paint' on large canvases.. get them framed well.. title the show with a bombastic name, write an incomprehensible account of the works on the catalogue.. hold mammoth a show..and you are a celebrity painter with everyone singing praises of your work and talent!! You have sold all your works at an exuberant price!! And next year the Government will take notice of 'your talent' and may buy some of your works for their Museums or Government offices etc. or send you to some foreign land for an art show!! You will heard telling all and sundry that you are 'an unique combination of being the first certified art curator of India and an artist'!!

I think the Internet has finally given 'us' a chance, a voice and a means to showcase our works and survive without selling our soul. We must utilize this medium and fight back... for we have nothing to lose but everything to gain by exposing these bunch of phonies, fakes and the pretentious.

Art can also be a medium of protest for just causes... Cartoons: Art of Protest... ideally who else, but an artist can do that well?!!  And artists can lead the society to a better life.. art can show the mirror image of the society we live in...

The cartoon has been reproduced here with the kind permission of © Manoj Kureel


We, the artist community face problems like any other.. Artists are part of the society and their participation in it is vital.. And in the present socio-economic condition of the world one shouldn’t be only attending art openings wearing designer wear and sipping wine!!

You can join here:
www.facebook.com/ArtArtistActivism.

Thursday, January 26, 2012

Reminiscences of an Unknown Artist

Reminiscences of an Unknown Artist

There is an old proverb in India... "an artist can change society.."
And like the most old sayings, its not applicable in this twisted world of today!! 'For an artist, poet, et al to do so, they must come up from cream of the society...' V.S. Naipaul said somewhere. Since most of the bright and talented are driven these days to opt for other lucrative careers, less and less talented are into writing, paintings... etc. And thus we see a drastic fall in the standard of thinkers, poets, writers, artists, musicians, intellectuals... most are of poor intellectual level and without real talent. This trend is more defined in the last 20 odd years. Back in school, I remember when we had to chose in Senior Secondary School (Class/Standard 11 & 12) after completion of Secondary School (Class 10) I was the only one among boys to take up Arts (Humanities) rest in my group were all forced to... as their grades/marks were too low!! All the "bright ones" en mass joined the other two branches: Science and Commerce... All the top graders/toppers went to Science, the next best took up Commerce.. and the rest, the rejects, the dumbs, the stupids.. had no choice but to take up Humanities or leave studies!! In Art college, which one could joined only after the completion of 2 year of Senior Secondary(+2) many boys came came via a stint or struggle of few years in Science/Engineering/Commerce colleges etc. The only exception were the girls, they all came straight from school as Indian parents consider 'painting' as the ideal hobby-course for their daughters!! It raises the bar for them, in 'arrange-marriage-market'!! In the case of boys it was a disaster to be in an Art college!! A common joke in our art college days:
One mother to another:
"What does your son do?"
"He is painting... artist."
"OK, but what does he do?"
Painting, sculpture, pottery etc were meant only for girls, it enhances their charm in the arrange marriage!! I am sure things haven't changed much since.

An artist can change society etc. only when he has come up the right way.. Through his talent and hard work... An artist who is weak, corrupt, one who is here only for the lure of money can hardly do anything worthwhile.. As a child my father would constantly say: "Only the best should be in Fine Arts, there is no place for the the second best in art... You are either an artist or not at all.. You can not be a 'bad artist'... its a misnomer!!"

But now, like most old sayings, proverbs it's not so.
The art world is a crowded place... all and sundry can be artist!! The right connection, the right look, ability to speak English and you can be one!! Your ability to draw or paint is of no consequence!!

I continue to paint... the only gift I was born with...
River Warta, Poznań, Poland Dec. 2009
Artist community driven only by the lure of money has created a strange kind of breed. Let me illustrated the point with some real life anecdotes.

One of my aritsts' friend's father also an artist, in his younger days had gone to Kathmandu, Nepal for a show with his fellow artists... The show was a dismal failure in terms of turn outs and sale, as was the case with most art shows during 60s, 70s. At the end of the show they sat looking at the 'streatched canvases' and wondering how they would take it all back etc. Having exhausted all their money in putting up the show in a far away land.. Some hanger-ons and passerby suggested "Why don't you leave it here?"

The group of young artists decided to burn their works outside the venue on the street in a huge bonfire and came home empty hand...
That was the case then... And now... read on... 

Now let me give you today's scenario: one of my buyers from Bombay, who I feel is a bit of a connoisseur tells me this:
"Roy, tell me what's wrong with you guys? You know I love to browse through art shows/galleries etc after my office. Many a times after office, love to go to Jehangir art gallery, but if it happens to be the last day of a show and closing time... then I had it!! Artists exhibiting would follow me out and beg on bended knees:
"Please sir, please pick up any work.. price no issue.. its our last day etc.!!"
"Please sir, we don't have money to take them back!!" "
My face turned red and burned with shame as I heard this about my fellow artists, I wanted to disappear..

Here is one moreanecdote..
There is an old-old distant aunt living in Italy... once a contemporary of M.F. Husain, F.N. Souza, S.H. Raza, Biren De etc. fairly successful artist of 50s, 60s.. Then she like many migrated to Europe, and she is very honest about it... "Animesh all these artists who are now big in India, all drove away to the West for money. India in the 50s, 60s, 70s was a tough place for artists with a very bleak future.. One could only at best get a school teacher's job... So don't you believe all these romantic bullshit about being driven by desire to see Cezanne and to study European art, it is all a cover-up... All were looking for a way to be able to sell, survive from the sale of their work.. and what better place than the West in those times?" Many got married there and settled down... And many more managed various scholarships year after year to prolong their stay... And once there, their artistic stature too raised back home... 'Indian Artist in Paris/London/Rome' had a charming effects on Indian collectors...

Now this aunt few years back was planning an exhibition in Delhi and asked me to take her around some galleries to catch up the trends and to see gallery-space etc. So we go into a public gallery with a show going on, she looks at the works hanging on the wall, the 'Artists' is present, rushes with his price list. My aunt asks the young man some questions about his works, prices and gives her good wishes and we leave. As we do so, the artists has followed us out and confronts us with:
"Madam how much you want to pay?"

Once my old aunt, in the 60s was exhibiting in Bombay and a very well know starlet had dropped in.. I don't remember the details, but she threw out the film star on a minor issue:
"Miss, please get out!! This is no film-set of yours..its an art gallery!!" etc.

That was then and this is now... I see innumerable snapshots of todays' Artists getting their shows "inaugurated" by nondescript actors, TV anchors, politicians, models... I just cringe in shame!! These artists have plummeted to an abominable depth... Lining up with two-bit starlets and politicians to sell their wares...

Do we really need them to enhance our work?!


According to an aspiring Artist, I meet some time back, we do. I was planning a show in the capital after a 10 year hiatus!! Someone suggested I speak to this young artist, well versed and up-to-date with present day scenario!
Called him up and he replies like a pro:
"Look dude, this is long term."
"Yes I agree, " my reply.
"See I am doing it very methodically..."
"Sure that's the way to do it.. long रिअज़, लगन,  practise, साधना.. as our Gurus, our उस्तादs would say..." I added my bit.
There was long silence at the other end and then the young upstart says:
"Look I have been going through 'Page 3' of all English Dailies and making cuttings.. and now, I know fairly well 'who's who of art' and what to do.. I advise you start your research too."
He sounded dead serious !!

As I reached my venue to put up my works on the D-day... the artist who's show had just finished, was winding up.. He was in high spirits. He had managed to sell most of his works, wares.. No, he wasn't from any recognisable Art Schools!! He had put up his show with his equally enterprising wife, a broad spectrum of works, paintings - acrylic on canvas depicting Ganesha (Diwali was right around the corner), and portraits of a grotesque looking man he proudly claimed to be of Buddha!!
"Buddha is very popular now.. more than Ganesha!!" he proffered.
There were sculptures, pottery and a huge eagle in plaster of Paris!! His show looked more like an Indian Government School Art Room!!
"So who is inaugurating your show?" he asked, as he started to pack the huge plaster eagle...
"No one in particular.. actually no opening ceremony... just some of my friends are coming etc.." I mumbled at him.
"No-no-no-no.. you have to call some celebrity, then you see you get mentioned on Page 3 etc. etc.,"  was his shocked response.
He looked at me as if I was suicidal!!

My show was a quiet affair and most disappointed were the gatekeepers of the gallery:
"किया साहब, आप भी... "
"किसी Mandira Bedi को बुलाते, दीखते कितने काम आपके बिक जाते!!"
(What sahib, why didn't you call some starlet? All your paintings would have sold!!")
He obviously did not mention his chance at ogling at some skimpily clad starlet!!

He was right, I didn't attract much crowd during the show and sold even less!! During the show one of my old gallery owners from a now well-known gallery came to cheer me up... While with me at the gallery he was busy talking most of the time on his mobile.
"Yes, yes, lots of Page 3 people are coming (and he parroted off a list of 'VIPs of Page 3' from Delhi)...."

Needless to say he was in the processing of organising an Art exhibition, à la India style!!


You can view my works here..
http://royanimesh.blogspot.com/
http://www.animeshroy.com/

https://www.facebook.com/animeshroyartisthttp://facebook.com/animeshroy








Sunday, January 22, 2012

The Unknown Artist

When I got out of art college (early 1990) I use to sign my paintings in front, lower corner as just 'Roy'... paintings of that time 1986-92 would have this... then an Art College Professor pointed out "If you want to make a name etc. sign your full name, there are so many Roys around etc!!" I then started using my full signature ie 'Animesh Roy'... Post 1992-3 works would have my full name in front.
But I grew disillusioned by this urgent need to be recognised by our signature alone... and as I became aware and studied more of our traditions in Indian (and the oriental) art and culture I realised that in our traditional arts our artists do not sign at all... they remain humble, anonymous and would attribute all their skills and talent to Nature or God and their art as an act of devotion etc!! I have been inspired by this concept since then... and have stopped signing my name in front but I do sign (full name) all my paintings at the back/on the reverse side (for the record etc.)

My signature with other details on the reversed side of one of my works.

There are some contemporary artists who do not sign in front..over their painting. But I haven't met one yet. I am not against it but I see so many paintings spoilt by an ugly signature!! There are some who have used it very aesthetically like Claude Monet.. and some like van Gogh's are terrible!! Thankfully many of his works don't have his signatures!! Mine have been more of a protest.. while all rushed in with their 'style and signature' to earn name and fame... I wanted only my work to speak up.. and would boast: "In museums they put small plaques along side..  next to every work with all details..and there the art enthusiasts can see!!
I do get very surprised collectors.. who wonder why they don't see any signatures on my work?! Some walk away, some are very uncomfortable to invest.. on an artist without a name!!

Waterscape-7,
Oil on Canvas
78x74 inches / 198x188 cm
Oct. 2009




You can read my blogs here..

http://royanimesh.blogspot.com/

http://animeshroydotorg.wordpress.com/

Tuesday, January 17, 2012

Price of Everything and The Value of Nothing

Art Today... in India

The other day I received an email inviting me to give few of my paintings in a 'charity exhibition*'.. the terms were they mustn't be more that fifty thousand Indian rupees and I get 50% from sale... I agreed and gave away some of my 'better works' priced within the prescribed bracket, for it was a good cause. After a few days I get an email from unknown person claiming to have seen my works on the net and has been very impressed etc... and asking the prices of 2 of my works etc. (Not the works I had set aside for the Charity exhibition.) I gave her the prices but never heard of her again; Acting on a hunch I just 'googled' and 'facebooked" her email ID and found her to be some 'potter' (one of those who sell 'designer pots' to the elite.. not the humble potter who makes clay pots for our daily use, they are generally not on Facebook or on the Internet!!)

I was amused as the person wasn't old enough to look like a serious art collector..

Next day I hear from the 'Charity people' that I have priced my works over "my market price"... The 'Potter' was their spy/ decoy customer... who had enacted the entrapment!!!

This funny and sad episode truly exposes the decadence and utter ignorance that has set into the consumerist Indian society today...

Let me briefly go into the details for the one who are not aware of murky world of "Indian Art" today:

I have been painting and exhibiting my works since 1990 after my completion of four-year of art college from Delhi College of Art, India. I never really took up any job as I wanted a fairly independent life and never believed a true artist should do a 9 to 5!! And fortunately didn't have to work in a claustrophobic binding environment... Maybe I was more lucky than the ones who had to sustain their families, and thus went on to join various 'jobs' available for art graduates...

Its been 20 odd years now... a life of hardship, struggle and most importantly of joy and fulfilment!! I have exhibited and sold my works around the globe... I still remember the money earned (Rs 1500) form the sale of my first work.. it was in Madras... well that some other day!!

When I had my first solo show in 1992 there were some really good art critics and they were the old school types... especially I remember Krishna Chaitanya, K.L. Kaul.. both dead now.. was fortunate to get very encouraging reviews not to mention Keshav Malik. Later the art critics and writing about art and artists turned into a business... For a bottle of whiskey or cash one got a headline with razzle-dazzle reviews in our National dailies!! By late 90s the bosses at the newspapers got wind of the this nefarious activity and put an end to publishing reviews altogether... the critics went to town: "It is mass commercialisation, the media doesn't want to waste its precious columns/newsprint on something as insignificant as art...when they can earn huge amount from advertisement etc!!" The reason must have been both. The once mighty art critics went around writing for artist's brochures and invitation cards!!

The one thing I have always have been intrigued is how to sell a painting and how to set a price... here I must tell you the story of my ragging:

I was being raged by two very serious, senior, arty types, the first day of my art college...

Two-serious-senior-arty-types: 'What is art"?

Me-nervous-fresher: 'Art is the out pouring of our soul...blah, blah, blah..'

Serious-senior-arty-types: 'Is it like a part of us etc?'

Me nervous-fresher (now falling in the trap): Yes a part of us...

"Like our own blood... like our offspring?"

"Yes, yes..." I replied getting very carried away now..

Their next remark still rings in my ears:

"Then tell me how come we sell our art? Would you sell your son or daughter?!!"

It was a funny comparison but it made sense...

A painting/sculpture is very dear to us artists and selling, parting with it is a difficult act. Leonardo carried Mona Lisa around for 16 years (it was a commissioned work)... on pretext it wasn't finished yet!! But then it is also a happy occasion that its accepted and appreciated. I still feel the pang when I finally pack a work off to a buyer.. never to see it again. But I think these emotions are now a thing of the past with the crazy advent of art as a commodity, as an investment... the craze to sell overpowers all other emotions. Agree selling our work is important as its also our only source of livelihood.. here am referring to artists who are refereed to as "full-time". But that's how it is and has always been.. since a long-long time.

Something changed, as we entered an era of liberalisation etc... suddenly there were loads of buyers with black money... Overnight 'artists' sprouted and 'art galleries 'mushroomed (these are not to be confused with galleries in the West... these are basically basements or unused garages etc. in residential areas owned by bored wives of rich husbands... who let them do a bit of arty business!!). Artists and buyers alike were now in a frenzy pace to become hot selling artists and big collectors respectively!! Like this diamond merchant from Bombay who bought some of my paintings sometime back. Within a few months he emailed me to know if my "works are going to go up or has they gone up etc?"!! I told him they don't go up and down like the stock market and anyway I am no 'investment' artist!! He felt betrayed and remorseful!! I don't expect him to buy my works ever in the future!!

Some years back when I was in Delhi I would visit my artist friends' studios while they are painting. They all painted in a frenzy... and all using Acrylic, the most important invention of all time in the medium of painting! No fuss, no smell (Oh I love the smell of linseed and turpentine...my wife loves me more because of that..she says!!) drys off as it leaves the brush!! And once in a while these artists would move away from their 'masterpiece' and ask:
"बिकेगी? Will this sell, Roy?" Not how the work is coming along etc!!

They all goaded me as to why am not exhibiting and that there are so many buyers... and mostly they would laugh at my size... that is the size of my paintings!! I generally paint "small size" accordingly to them like a 9x6 inches or a 10x12 (20x30cm, 30x40cm) etc!! The maximum size I would paint was about 20x30 inches or 30"x40" (100cmx90cm). Well the arguments was if you paint large sizes you get more money!! That is, a large painting is valued more in the Indian art market than a small 10x12inches!! So all these frenzied mad artists were busy painting humongous sizes like 78x120inches!! Also during this time I heard the bizarre story that artists in Bombay (the so-called Art capital of India) are now selling their works at 'square inch rate'... that is each artist has a rate say - Rs 1000 per sq. inch'!! I, of course didn't believe it till I got this email from the 'Charity people' who 'calculated' my 'rate' by taking a quote of some of my works and then dividing it by the size of the canvas!!! God please help me... (this is coming from a staunch atheist!!)


Size does matter?

Yes size can be one of the factors.. but it is not the only factor which can make up the price of a painting!! Size only can affect the physical part of the painting.. like a big size canvas, more paint, more on logistics, may take more time and 'labour'!!... But these cant makeup the cost-value of the painting... a paintings cost because of its artistic value..it cannot be calculated with the size of the canvas... it makes me sick even to explain all this... this is so fundamental, even a child knows!! So what are those? The quality of the work is first and foremost... and this the artist decides..mostly...we asses our work first and then put a price, also I have had many a discussions with gallery owners or friends and have taken their views too... I judge my works very critically.. why it should be so priced..etc and it's always the quality of the work.. the workmanship, skill... For artists are all human and we don't paint, cant paint in the same quality every time.. that's why we have this concept of a Masterpiece.. meaning a master's piece.. the best of the best.. and likewise we do produce some bad paintings..trash!! And those, I paint over...reuse/recycle. Linen / canvas is expensive!!

An artist can't possibly paint consistently, our quality, skill, workmanship, etc. keep changing from canvas to canvas.. from one period to another... So lets say a canvas 24x30 inches can't possibly be exactly as beautiful as the next one.. so how can 2 works with the same size be priced same? Yes its convenient for the galleries (Art shops) to price them evenly... but the artists among us must hold our ground... this his territory. He must decide.

There is also a policy, a 'senior artist' must price his work high...than a younger one!! And I don't get it either!! There were some who sold all their life works' at a very consistent and affordable prices.. even when they were very famous.. I recall an artist from Bengal who kept her prices very 'middle-class' through-out her life!!

And now we have most artists (who are senior) trying to command unheard of prices only because they are old.. and have been painting for long!! Beauty of the art is not a qualification here!!

The tragedy is that many of them try to fix a price according to their years in the circuit...which can sometime calculate to such an astronomical figure that they don't end up selling at all!! Recently one of them committed suicide as he was unable to sell!! I had known him since my art college days... a humble stupid man.. he rose high and for some years was very successful... but then he kept increasing his price.. trying to keep up with others of his hierarchy... and a time came there wasn't any buyer left who could afford him!! He died penniless!!

I am not in their league and I have kept my prices very humble... giving away many of my work free at times. I have been trying since long to follow this simple but difficult quote to follow:

"An artist must never be a prisoner. Prisoner? An artist should never be a prisoner of himself, prisoner of style, prisoner of reputation, prisoner of success, etc." ― Henri Matisse


But my price is my price and I set it...not by size!! By my conviction of what it's artistic merit is..

To come back to the 'Charity Art people' ...they told me I would have to bring price down and they gave me a figure!! Of course I had already backed out of the show!! But they were not used to artists standing up to them... they lectured me: "The (Indian) art buyers are well-educated and well versed with both trends as well as pricing of the works of the participating artists..."!! The farce of selling and buy art has come to such that it's now reduced to just taking a sample (of painting/sculpture) and a simple calculation.. lo and behold you have the pricing of an artists!!! Just the way one shops for curtain/upholstery material, fabric!!
My wife when she heard this said: "Tell the 'Potter-spy' to make large-sized pots... it would definitely fetch her some big money!!!

This is where we have fallen..in a dark damp pit!! Imagine now sculptors selling their wares by kilogrammes!!! Rs 1000 per kg!! Or by volume?

What about writing? Poems? And short story writers? Lev Tolstoy's War and Peace would make a killing while Hemingway's Old Man and The Sea would find it tough going!!

When we judge some of the well-know works around the world do we do so it by size?

Les Iris, Oil on canvas 71 cm × 93 cm (28 in × 36.625 in) 1889 Sold Price: $105, 000,000!!

What is the size of Mona Lisa? (77 ×53cm), Sunflowers (92.1×73cm) and Irises (71×93cm) by Van Gogh... some of Monet's Lilies are large.. but his intention were not to get more out of buyers!!

"An artist is not paid for his labor but for his vision."
 − James Whistler

Here lets talk only of living contemporary artists... The pricing farce has reach such ludicrous level that some time you just feel like you are in a mad house!! For example we all are aware there is a price for things attached to famous /infamous people... those who are dead and gone long back... like if I had an umbrella used by Monet, it would get me good money... it's knickknacks like these which 'item collectors' pay and is often auctioned, quite understandable... they have their charm. But does it make sense in a country like ours where the so labelled 'famous senior artist' selling their scribbles, mindless drawings etc. for over cores of Indian rupees?!! This idiotic piece of 'Pen and Ink' on paper by Jogen Chowdhury (alive, famous-senior-artist-type) is priced at Rs.1,500,000 / USD $33,333 ?!! Its laughable.. and plain stupid that someone will ever may pay such an amount!!


I want to end this essay with S.H. Raza, was in news recently for his work went for around $3,486,965 or approximately Rs 16 crore, a record amount and the media and all sundry have gone mad over this... In fact some of them are already waiting as to who will now break this 'record' and reach a Rs 20 crore bracket!! à la cricket score?!! The record setting painting was as excepted bought by the wife of a wealthy Indian business man!! I am shocked at the vanity of this lady!! Spending such an vulgar amount on a painting which by all account is just a painting... one hangs on one's wall to decorate one's home or office!! I say so because a 'Raza painting' is not going to drive millions to line up outside her house to gaze at it.. thus earning her or the Indian government any revenue. It's not a 'Van Gogh' or a 'Monet'. Some years back I went to Basel (Switzerland) to see Van Gogh's landscapes.. the exhibition was mounted on such a scale that the entire country was involved. From airlines, trains, buses, hotels.. all were geared up for millions of art lovers and tourists, who came from all over the world. Last summer I spent a month in and around Firenze (Florence) and saw the queue outside the museum.. people were waiting for over 5 hours to just buy the tickets to get in!! Imagine how much the Italian government earns from its' collection of Leonardos and Michelangelos.. India and Raza have to wait for some time for that!! In the meantime I wish this buyer could have bought up a 'museum full' of works by talented artists from the same amount!! $3,486,965 could easily have bought her as many as 1162 paintings @ rate of  $3000 (approx. Rupees 1,50,000)!!

http://www.business-standard.com/india/news/kishore-singh-price-rise/459532/


Anyway now about artist S.H.Raza, alive, famous-senior-artist-type. After spending over 50 years in France when Raza wanted to donate his works etc to the place where he lived. The city municipal refused!! Non of his works have been acquired by any of France's innumerable Museums... He returned to India few years back and remember... I had gone to a nondescript art gallery in Haus Khas, New Delhi.. to get my works back.. as I waited patiently.. being told curtly by the gallery manager, "We have customers!!" As some foreign tourist walked in.. and all staff got busy sucking up to them!! Of course I raised hell and shot back, "And an artist is nothing? Is this a shop or an art gallery? Hold your customers at bay and return my works at once!!" In this melee an aspiring journalist who had come to interview the gallery owner came up to me and I took the opportunity to give 'the interview'!! Told her some hard facts about the state of art we live in!! And all along this on one corner of this 'art shop' sat the company parrot making one phone call after the other, à la telemarketing. Parroting the same line over and over in a frenzy, frothing at mouth:

"We have Raza, we have Raza, Raza, Raza world-famous artist, Raza, M F Husain's friend blah-blah -blah etc"

It was pathetic... Neither the caller nor the ones he was calling had any idea about the artist!! They must have got hold of his work as the old man was in town!!

Now wheelchair bound and painting in his lonely apartment.
Outside a long queue of art galleries, art collectors awaiting to snatch up whatever Raza can feebly put paint to canvas... The scenario is like on National Geographic TV Channel:
The vultures, hyenas closing on an old dying majestic elephant!!

*******************
*These were the people and the organisation!! Anyone dealing with them beware.
Anita Dhillon / Bindiya Sawhney
Concern India Foundation
Manager – Resource Mobilization
Concern India Foundation
A52, 1st floor, Amar Colony Lajpat Nagar 1V
New Delhi – 110 024